I added the switch to the previously posted blender, but that will have to be the next post. Why? Because here’s an orange blender! Complete with faux wood panel, what a cadillac. The glass was especially fun near the base. The heavenly glow around it adds to the magnificence of this machine.
I am lucky enough to work somewhere that offers a set amount each year to spend on professional development. Most people spend them on public speaking courses, computer skills, etc. I take advantage of the Continuing Education courses offered by Stanford. Last year I took an Introduction to Acrylic course. I was very naive in thinking that I was a beginner. They meant absolute beginner. I learned a lot from the course and I tried things I would not have otherwise tried. It was fantastic to paint with others and have an instructor, though.
This year they will be offering a course on Painting from Observation, taught by Katie Hawkinson, Lecturer, College of Environmental Design, UC Berkeley. It is looking to be like the course I will take next.
This morning’s effort – a vintage Osterizer blender. The glass was especially fun to paint. A quick sketch, pretty loose.
I’m drawn to blenders. They create and destroy to create. Before my orthognathic surgery I was given a blender from my husband’s parents for Christmas, knowing that I would have to use it to eat. For the year that I had it before the surgery I blended protein powder and power greens with blueberries every morning before work. After the surgery I blended pie for pi day, an In-and-Out hamburger with fries just to see if it was good (and it was, considering that my other sustenance was primarily Ensure). Now that I’ve healed and can eat normally again I’m back to protein powder and power greens to power my lifts at the gym. I should have my braces off by my birthday – less than two months to go!
Looking at this I see some errors – perhaps I will give it another try but be more serious about it. It’s kind of lopsided, but it feels good to just paint and accept errors. It’s ok to not be perfect.
This is the second of my ikebana paintings, finished while camping in Arroyo Seco, California.
I have a massive pile of very cheap canvas boards which I regret purchasing now that I have become more serious about my paintings, so I am trying to use them up and reserve them for trial paintings.
I’ve been back at work for two weeks now and I am glad to spend time here, but I get tired. Trying to combat the fatigue with building my stamina – it feels good to be back in the gym and out running.
This painting is a reminder not to rush. Some parts are good and some parts stick out like a sore thumb, and it’s ok to embrace and learn from these things. Perhaps I will go back and fix the lines at a later date, but now I am working on a landscape.